Everyone knows that when it comes to urban exploration, Burbex is a junkie, not one of those junkies that climbs on top of high rooftops and cranes for that electric meth buzz, more like an opium junkie that searches for a quiet corner to curl up in and hide from the world whilst chasing the dragon.
Burbex has trouble with living in North East China, the pace of life and the noise is just too much sometimes, and when he found this abandoned Steel Works on the edge of the city, he knew he had found his new opium den.
A myriad of spires pierce the gray sky from within the complex. Whereas others might follow such spires in search of cathedrals where they bow down and prostrate themselves before God, Burbex follows the spires in search of quietude, and this place does not disappoint.
The complex itself is unusual in a number of ways, diagonal bridges and vertical chimnies dissect the landscape, but between the dissected spaces lay little reminders of the traditional, little humanities that show this place was once inhabited by tens of thousands of workers.
Dormitories overlap with massive furnaces, kindergartens and basketball courts with the huge smelting domes. In this place there is no divide between the industial and the human, it is a defunct automaton from another age.
Yet like the promise of opiates, which are at the same time comforting and threatening, there also is a strong sense of danger in the complex, the souls of long passed workers, shaking and banging the corrugated steel walls in warning ESCAPE BEFORE IT’S TOO LATE.
The Tower at the entrance to the smelting blocks stands dark and defiant, a monolith to a defunct religion. Burbex carefully climbed to the top to survey the whole site, each rusted stair a step of pilragmmage to the still faithful.
Coming to the end of his urbex opium high, Burbex felt comfortable in his own skin again and ready to face the world, such as it is, with a steely face and an iron constitution.
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